Ali Lacey began Novo Amor as a project of sorts - an act of defiance in the wake of a break-up, but along the way, quite unexpectedly, he found something rich and rewarding. Years ago, a summer spent by an evergreen-surrounded lake in upstate New York supplied both the impetus and imagery that he would use to craft his debut album ‘Birthplace’ (2018), and the follow-up, ‘Cannot Be Whatsoever’ (2020) in a house in Cardiff that was part-home, part-studio, a place where the distant chatter of a party across the street, Bonfire Night fireworks and the seagulls that congregate on the building site next door bled into his recordings.

In the wake of the release of his second album, ‘Cannot Be, Whatsoever’, Lacey contemplated a past soundtracked by songs of quiet hope and longing. “I can still see the lake upstate when I picture ‘Birthplace’, the songs sheltered by this place I’ve romanticised that doesn’t actually exist anymore.” 

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